the last supper painting

the last supper painting
were enlarged on: various soft conversations were reported, and
sentimental scenes represented; and, in short, a volume of a novel
of fashionable life was that day improvised by her for my benefit. The
communications were renewed from day to day: they always ran on the
same theme- herself, her loves, and woes. It was strange she never
once adverted either to her mother's illness, or her brother's
death, or the present gloomy state of the family prospects. Her mind
seemed wholly taken up with reminiscences of past gaiety, and
aspirations after dissipations to come. She passed about five
minutes each day in her mother's sick-room, and no more.
the last supper painting
Eliza still spoke little: she had evidently no time to talk. I
never saw a busier person than she seemed to be; yet it was
difficult to say what she did: or rather, to discover any result of
her diligence. She had an alarm to call her up early. I know not how
she occupied herself before breakfast, but after that meal she divided
her time into regular portions, and each hour had its allotted task.
Three times a day she studied a little book, which I found, on
inspection, was a Common Prayer Book. I asked her once what was the
great attraction of that volume, and she said, 'the Rubric.' Three
the last supper painting