the last supper
a clergyman, incumbent of Hay- that little village yonder on the hill-
and that church near the gates was his. The present Mr. Rochester's
mother was a Fairfax, second cousin to my husband: but I never presume
on the connection- in fact, it is nothing to me; I consider myself
quite in the light of an ordinary housekeeper: my employer is always
civil, and I expect nothing more.'
'And the little girl- my pupil!'
'She is Mr. Rochester's ward; he commissioned me to find a
believe. Here she comes, with her "bonne," as she calls her nurse.'
the last supper
The enigma then was explained: this affable and kind little widow
was no great dame; but a dependant like myself. I did not like her the
worse for that; on the contrary, I felt better pleased than ever.
The equality between her and me was real; not the mere result of
condescension on her part: so much the better- my position was all the
freer.
As I was meditating on this discovery, a little girl, followed by
her attendant, came running up the lawn. I looked at my pupil, who did
the last supper
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The da Vinci Project
We at the daVinci Project™ are happy to see people like Mr. Pesci Slavisa having an interest in looking for “Pictures within Pictures”™ in Leonardo da Vinci’s works. We wonder however in this case whether the method used to find this particular image is a valid one, one that Leonardo might have been able to use to create a hidden image or encrypted message given the lack of the ability to create accurate duplicate images at that time in history. We are not disputing that an image can be found or “constructed” using Pescia method of duplication and transparent transposition or inverse transparent transposition, just that… could it, and would Leonardo using the technology available to him at the time have likely done it? The da Vinci Project, having found many, many images using technologies described by, articulated by and applied by Leonardo at the time, believe this particular image likely not to be a da Vinci construct.
Mr. Slavisa makes no claims other than that he has “found” an image and we applaud him for presenting his image without claim for others to judge. It is a wise and appropriate position.
The da Vinci Project™ and its Managing Director Michael Domoretsky, take an approach whereby we review all of the Master’s writings and other works. We then compare and look for patterns in his writings, inventions and artworks over time, looking for precedents, methods and connections that can be applied to his artwork, where he has apparently chosen to encrypt many of the secrets he sought to pass on. We have noted a definite consistency of technique in his using mirrors throughout his career for encryption, and in the perfecting of specific methods in his art works. It is clear in understanding his scientific and inventive genius that he had a definite tendency to work outside the box, and outside the conventional frame... by hundreds of years… The secrets of his view, and perspectives, his explanations on lighting, darkness and shade, were unique at the time and unique to Leonardo daVinci; and it is very obvious that he applied these ideas to his works throughout his life to his many masterpieces.
Strange as it may seem Leonardo’s “out of the box, outside the frame”™ encryptions have remained hidden for over 500 years until 2005 when Michael Domoretsky discovered and duplicated the methods while researching one of Leonardo’s works, the very famous Mona Lisa.
The perpendicular reverse mirror image process and the optical illusion, the use of subtle lighting, were first used by Leonardo, applied to various sketches and paintings in his youth, and used on into his twilight years to encrypt his messages to keep them hidden from the dogmatic political and religious powers of the day. The encryptions are proof of Leonardo’s ingenuity and the trouble he went through to keep the images hidden. The processes are demonstrated for all who wish to understand them on the http://www.lionardofromvinci.com Website.
For the first time in five hundred years, when completed, the “true daVinci code” will come to light in its entirety in “Pictures Within Pictures”, a documentary project that the daVinci Project has been working on since 2005 ~ 2007
The da Vinci Project
Managing Director, DVP
Michael W. Domoretsky
Director, Graham Noll
1-508-843-9902
"the last supper"
"the last supper"
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