mona lisa painting

mona lisa painting
'Yes, Aunt Reed. How are you, dear aunt?'
I had once vowed that I would never call her aunt again: I
thought it no sin to forget and break that vow now. My fingers had
fastened on her hand which lay outside the sheet: had she pressed mine
kindly, I should at that moment have experienced true pleasure. But
unimpressionable natures are not so soon softened, nor are natural
antipathies so readily eradicated. Mrs. Reed took her hand away,
and, turning her face rather from me, she remarked that the night
was warm. Again she regarded me so icily, I felt at once that her
opinion of me- her feeling towards me- was unchanged and unchangeable.
I knew by her stony eye- opaque to tenderness, indissoluble to
tears- that she was resolved to consider me bad to the last; because
mona lisa painting
to believe me good would give her no generous pleasure: only a sense
of mortification.
I felt pain, and then I felt ire; and then I felt a determination
to subdue her- to be her mistress in spite both of her nature and
her will. My tears had risen, just as in childhood: I ordered them
back to their source. I brought a chair to the bed-head: I sat down
and leaned over the pillow.
'You sent for me,' I said, 'and I am here; and it is my intention
to stay till I see how you get on.'
'Oh, of course! You have seen my daughters?'
'Yes.'
mona lisa painting