Gogh Starry Night over the Rhone painting

Gogh Starry Night over the Rhone painting
Gogh Irises painting
Morisot Boats on the Seine painting
abstract 91152 painting
for ever in her good opinion, -- and to make Marianne, by a resemblance in their situations, which to her fancy would seem strong, feel all her own disappointment over again. But unwelcome as such a task must be, it was necessary to be done, and Elinor therefore hastened to perform it.
She was very far from wishing to dwell on her own feelings, or to represent herself as suffering much, any otherwise than as the self-command she had practised since her first knowledge of Edward's engagement, might suggest a hint of what was practicable to Marianne. Her narration was clear and simple; and though it could not be given without emotion, it was not accompanied by violent agitation, nor impetuous grief. -- That belonged rather to the hearer, for Marianne listened with horror, and cried excessively. Elinor was to be the comforter of others in her own distresses, no less than in theirs; and all the comfort that could be given by assurances of her own composure of mind, and a very earnest vindication of Edward from every charge but of imprudence, was readily offered.
But Marianne for some time would give credit to neither. Edward seemed a second Willoughby; and acknowledging as Elinor did, that she had loved him most sincerely, could she feel